EuroBall and Beatz: Malcolm Delaney and “Pink Toes” by Childish Gambino

Loko’s Malcolm Delaney was one of the best players in the Euroleague last season; now he is taking his talents to the NBA.

Malcolm Delaney-Highlights Euroleague 2015/2016

Some people take unique paths to success in the NBA. Some do it the traditional way: go to college, get drafted, succeed with the team that drafted them until they sign an extension with that team or go elsewhere in free agency. That has been the tried and true method for the most part to NBA success.

However, there are stories where players take a different road to NBA success. For example, Hassan Whiteside, probably left Marshall a year too early, was drafted in the second round by the Sacramento Kings, where he failed to adjust to their roster and the NBA game in two seasons, and knocked around the D-League and in China until he got an opportunity with the Miami Heat. After succeeding as one of the best “traditional” big men in the league last year, the Heat rewarded him lucratively this off-season, and with Dwyane Wade gone, he seems primed to be the Heat’s building block for years to come.

Whiteside’s story is nice. Those stories show that you can’t label someone a “bust” within the first few years of their career. And, it shows that even if a player might not find success in the NBA initially, there is always a chance they can develop as a player and mature into a NBA-quality player.

Malcolm Delaney is the next in line of great “late bloomer” players.

Of course, we have no idea if Delaney is a “late bloomer” or not because he’s been pretty fucking good for most of his basketball career since college. The East Baltimore native, is a dynamic player who shined as Virginia Tech’s primary combo guard, but because the NCAA is stupid and corrupt, they ended up shutting the Hokies out of the NCAA Tournament during Delaney’s two best seasons in college. (Because of “strength of schedule” or some other bullshit; I don’t know. The NCAA doesn’t have any criteria for anything.) Due to this “lack of exposure” on the big stage in college (i.e. the Tourney), Delaney went undrafted, mainly because he played for a basketball program that pales in comparison to its football program in terms of profile, attention, and fan and school investment.

However, after not making a NBA team, Delaney took his talents to Europe, where he’s done nothing but kick ass and take names as a big, athletic, sweet-shooting point guard. He went to Elan Chalon of the LNB in France, and impressed in his professional debut. After a successful rookie year in Europe, he made his way to Ukraine, to play for Ukrainian league power BC Budivelnyk, where he made first-team All-Eurocup, despite it only being his second year out of college. And, in his third season, he made the leap to a higher profile club and scene, transferring to FC Bayern Munich of Germany, where he helped Bayern qualify automatically for the Euroleague by helping them take the BBL crown 3-1 over Alba Berlin, earning Finals MVP honors in the process.

Despite a season where he is was named a Eurocup First-Team players, and BBL Finals MVP, Delaney still didn’t seem to get the respect he deserved from the States. The NBA still didn’t call, and he was making too much money to go settle for paltry amounts in the D-League. So, in 2014-2015, he signed a 1+1 contract (the other 1 being a player option) with Lokomotiv Kuban of Russia, where they were looking to be a major player in the European scene after years of deferring to major Moscow clubs like CSKA, Khimki and Unics.

This season, Delaney, after exercising his contract at the end of 2015, was arguably Loko’s best player, and that was saying something considering this team had Anthony Randolph, a former NBA lottery pick, and Victor Claver, a former NBA player. Delaney cut people up in the pick and roll with his three stretch bigs Randolph, Claver and Chris Singleton, not necessarily in the traditional way, where he would hit them rolling to the basket, but by attacking the rim off the ball screen (and hitting them on the pop) or shooting from beyond the arc if they went under the screen and didn’t hedge. Delaney routinely torched defenders and defenses this year, as he shot over 40 percent from beyond the arc, and had a 60.5 true shooting percentage. What was even more incredible was Delaney also had a 0.52 FT/FGA ratio and a 0.52 3FG/FGA ratio. What the fuck does this mean? Well, these numbers show that he got to the free throw line a tremendous amount (which means he wasn’t afraid to get to the rim or absorb contact) and he relied a lot on the three-point shot (more than half of his field goal attempts were threes). To have a guy who can do BOTH of these things is an analytic-guy’s wet dream, and it makes sense that an analytic-heavy organization like the Atlanta Hawks (with their analytic-driven head coach Mike Budenholzer) would sign a player like Delaney, which they did to the tune of a two-year contract this summer.

Granted, I would have loved to see Delaney return to the Euroleague, perhaps on a different team since Loko did not make the Euroleague’s 16-team field. (It would have been awesome to see him and Georgios Bartzokas reunited on Barcelona.) However, Delaney deserves this contract from the Hawks, and to be in the NBA. He’s worked his ass off to get this far, and he has the skill set, attitude (dude is a straight out competitor, no bullshit), and the kind of personality that will endear to the Hawks’ growing millennial fanbase (low key, his twitter account is great). Europe will miss him, but Delaney deserves this opportunity in the NBA. It’s his time, and I guarantee you NBA teams will be wondering why teams gave guys like Austin Rivers so many chances when Delaney was waiting in Europe the whole time (oh yeah…I forgot why Rivers is still in the NBA…nepotism).

 

Childish Gambino (right) and Jhene Aiko collaborated on “Pink Toes” which correlates with how upbeat and hopeful Malcolm Delaney is feeling now after signing with the Atlanta Hawks.

Childish Gambino featuring Jhene Aiko-“Pink Toes”

I am becoming a bigger and bigger fan of rappers today. From the late 90’s to mid 2000’s, the rap scene had become a bit stagnant. Rappers kind of evolved into heavy metal musicians of sort: they all were the same, and a lot of their music touched on the same subjects. Now, I’m not saying the rap game was a complete desert at the time. You still had Jay-Z, you had Eminem in his peak, and you still had Kanye West pre-Kim Kardashian. (The best Kanye period really; he was spitting fire as a rapper and a producer; and then one Taylor Swift beef and a marriage to a reality TV star and he’s gone off the rails and hasn’t produced his best shit; I’m waiting for a Kim divorce to get Kanye back to being Kanye musically.) However, other than that, other than a few artists and tracks here and there, rap kind of failed to differentiate itself artistically and musically.

Since then though, rap has been flooded with talent who not only offer a bevy of different skills and sounds, but talents as well. Action Bronson used to be a chef of a high-end restaurant. Drake has succeeded as an actor (Degrassi), rapper, and courtside staple at Raptors game (seriously, Drake got everyone to give a fuck about the Raptors again post-Vince Carter). And Lupe Fiasco is one of the most intelligent, thoughtful activists in the United States today (as well as one of the most creative rappers in the game as well). Rap is going through a renaissance, as different backgrounds and education have produced rappers who aren’t just categorized by their music or appearance, but by their bevy of skills and talents that display the well-roundedness of these young savants of this art-form today.

One of the biggest talents in the rap game today is Childish Gambino. A former actor on 30 Rock and Community, Gambino has captured fans in the Hip-Hop game with his ear-snaring beats as well as thoughtful, multi-layered lyrics. One song that I particularly enjoy is “Pink Toes” a collaboration with Jhene Aiko from his album Because the Internet which came out in 2013. For those who don’t know what the phrase “Pinktoe” means, this is one of its definitions, according to Urban Dictionary:

Pinktoe
Refers to caucasian-female,
you got yourself a pinktoe.

The song is primarily about a black guy finding himself in a different environment from what he is used to, with “pink toes” (i.e. white girls) being what primary attracts his attention in this new environment. It’s a bit of a relevationary track from Gambino, as the main chorus (“Rainbows…Sunshine”) refers to a different place, or a refreshing change of scenery from what Gambino has been exposed to previously in life. This song could have been in reference to maybe when Gambino first arrived at Tisch School of the Arts, where he would have probably been one of the few minorities at the prestigious arts school in New York, and everything seemed so different from what he was used to during adolescence.

I think this song coordinates with Delaney in a multitude of ways. First, it’s an upbeat track, and Delaney deserves an upbeat track after finally making it to the league after years of scrapping and working toward his ultimate goal. Secondly, I could see Delaney feeling a lot of the similar emotions Gambino echoes in this track when he first arrived in Europe from Virginia Tech. Instead of pink toes though, I think the basketball court was what attracted him and ensnared him: the different kind of game, rules, and fans that Europe provided in comparison what he was used to in college (which was usually lukewarm Hokie fans who didn’t give a shit about their basketball team until late January; after bowl season was over). And for Delaney, yes it wasn’t the NBA, but he embraced the European game, and before you knew it, fans from France, Germany and Russia (and Europe all over, really) embraced him.

It would be cool if Delaney walked into the Hawks arena after signing his contract with this booming in the background. Because again, I’m sure Gambino’s 2013 track will resonate with him once again next year. Things will be different. The NBA will have brighter lights. More production value. The best of the best will be around him on the court on game day. And I’m sure there will be plenty of groupie “pinktoes” looking for a “companionship” (i.e. sex if you’re that dim) after games, especially in ones where Delaney tears it up.

Enjoy the sunshine of the NBA, Delaney. You deserve it.

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EuroBall and Beatz: “El Chacho” and “Baby Blue” by Action Bronson

This is the first part of a series called “EuroBall and Beatz” where I highlight a Euroleague player’s highlight MixTape and a song from an up and coming musical artist or act. Check the page on the header to see the complete collection of posts in this series.

That is not a homeless guy or the lead singer from Bon Iver…that is El Chacho, and safe to say European basketball fans’ loss will be the NBA’s gain (hopefully…)

“El Chacho” Sergio Rodriguez “Euroleague Stars” Mix

If there is one player I’m going to miss greatly in the Euroleague next year, it is “El Chacho” Sergio Rodriguez from Real Madrid. In many ways, Chacho was the Euroleague and ACB’s answer to former Sacramento King and Memphis Grizzly (and Orlando Magic and Miami Heat if you want to be semantic) point god Jason Williams, only Spanish-speaking, a bit smaller, and a whole lot more hipster with that killer beard of his. (Seriously, that beard is dope; he looks like a logger from Western South Dakota, only instead of cutting trees up with an ax, he’s cutting defenders up with slick handles, and no-look passes).

Rodriguez isn’t exactly young at 30 years old, but his career has gone through a bit of revitalization after coming back to Spain from the NBA in 2010. In that time span, he has primarily played for Real Madrid, and in addition to tantalizing fans (and like, on the cusp of erotically tantalizing…just kidding…or am I?) with his assortment of killer crossovers, sensational passes, and crazy, streaky shooting, he also has helped kept Real a power on the European and Spanish scene. He has been a 3-time All-ACB player (2014-2016), a Euroleague MVP (2014) and an All-Euroleague 1st team player (2014) and led Real to a Euroleague title in 2015. And he’s done this despite the presence of Sergio Llull, another high-profile, high-usage Spanish guard, who more or less plays the same position (Llull is more of a point guard who focuses on shooting and scoring rather than El Chacho, who focuses more on playmaking; but they are essentially both point guards).

The most endearing part of El Chacho’s legacy in this latest go-around in Europe is that he doesn’t seem to worry about the media or the spotlight (seriously, how many players would defer the “attention” to another player on a team as big as Real Madrid?). Instead, he’s all about letting his game on the court do the talking and creating magnificent play on the court. He’s like an Andy Warhol, but instead of Campbell Soup and Madonna postmodern paintings, and canvases, El Chacho stupefies audiences (and opponents) in the pick and roll and with floaters at the rim. There were glimpses of this kind of “El Chacho” when he played in the NBA with the Portland Trail Blazers and Sacramento Kings, but it hasn’t been until the last few years or so in Real that El Chacho really has been given the freedom on the court from head coach Pablo Lasso to stretch out his wings and fly as a point guard savant.

I know that some basketball fans aren’t as pumped about his arrival. People will point that he’s 30, and that he didn’t succeed in the NBA the first time, and that the Euroleague isn’t the same as the NBA. Yeah, we get it. The Euroleague and European basketball isn’t the same as the NBA. But you know what? El Chacho will have a better coach in Brett Brown that will allow him to play more freely than he was allowed to in Nate McMillan’s “boring ass” offensive system in Portland. (Seriously Larry Bird…you fire Frank Vogel for not running a “fast offense” and you then hire Nate “I’m so fucking boring, let’s see how many Isos I can run for Brandon Roy even though he is clearly 75 percent healthy” McMillan? Good luck!) He will be going to a team that is used to misery; and TJ McConnell, Kendall Marshall, and Ish Smith at point guard; and the mindset that they won’t be competitive for at least another 2-4 years. Just imagine the joy El Chacho will bring with his passes, his crossovers, his crazy step backs from feet beyond the arc? Forget “the Process”. Sixers fans will be making all kinds of “El Chacho” chants instead of their usual “Trust Sam Hinkie” ones (which they can’t do anymore anyways, because you know, he’s fired).

Maybe El Chacho wasn’t the best player on his own team that past few years (you could argue Llull or Gustavo Ayon would take that honor). But he was the most fun and entertaining, and did so in a joyful, playful, but humble way. Damn it, Philly. You better appreciate it him for who he is and what he brings on a nightly basis, because you know Spanish and Euroleague fans will be aching for his spectacular skill set by November, maybe sooner (myself included).

 

Action Bronson is a musical savant who entertains audiences in a multitude of ways (like El Chacho) and has a really awesome, gnarly beard (also like El Chacho!)

Action Bronson (feat. Chance the Rapper)-“Baby Blue”

To stay on the theme of “Savants with Beards”, the beatz portion will focus on Action Bronson’s track “Baby Blue” which features Chicago-based hip-hop artist Chance the Rapper, who’s like the biggest fucking thing in rap music right now. I mean, honestly, Chance right now is like at “Pokemon Go” levels with his latest rap album “Coloring Book”. The album and his status spit so much fire, that you have all kinds of hipsters, rap critics, and twitter folks losing their shit every time the song is added to a public playlist on Spotify or is played in a coffee shop or hookah bar beyond 7 p.m. on a weekend evening.

But this isn’t about Lil Chano from 79th, this is about Bronson, an artist in the current rap game now like El Chacho is in the world of basketball. Bronson (a former high-end restaurant chef turned self-made hip hop lyricist) and his style harken back to that intense 90’s hip-hop scene that really developed general music fan’s opinions and educated them how rap could be a diverse, deep, and legitimate musical art form. His rap reminds you of a cross between old Wu Tang, Nas, and Biggie with some Fat Joe or Big Pun stylings slightly mixed in. It’s definitely loud, blunt, and in your face, kind of like Action Bronson’s presence himself, who definitely sticks out with his large frame, Brooklyn Hipster-chic wardrobe (he is from Queens, New York) and bushy, dope-ass beard. (He has to hold his facial locks while eating sometimes, as evidenced on his own show on Munchies, appropriately named “Fuck, That is Delicious”, which is by the way, fucking awesome).

And that’s what makes this collaboration with Chance such a refreshing tweak to Action’s musical style: Chance is not the kind of intense, “I’m gonna fuck you up if you jack with me” rapper that Action is, and that really balances “Baby Blue” out. Chance is really chill as fuck as a rapper in his music, and to be perfectly honest, somewhat joyful in his style (not to say he doesn’t have edge; but let’s be honest here, there are a lot of God and church influence in “Coloring Book”; nihilism is something Chance ain’t down with). And with his more “upbeat” influence, it blends well with Action’s brash approach, creating a dope track that is worth jamming to on multiple occasions.

Action Bronson and El Chacho. Two bearded artists who are killer at their craft and probably don’t get the appreciation they deserve at times in their respective fields.

We need to get these two together, with Action wearing a Philly “El Chacho” jersey in a Snapchat or something soon. Maybe when El Chacho gets more situated to East Coast Philly life of course; I’m sure he’s focused more on working with Nerlens Noel and Jahlil Okafor in the pick and roll, not hanging with hip hop artists who are filming restaurant shows on Vice on the side.

But give it a couple of months. And keep an eye on that “Rodriguez” jersey on the Sixers NBA Store. And see what Action Bronson does…(I can hope, right?)